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One particular 360° reintroduction to the exterior of the Roci shows the kind of creative reach of a show that, in many ways, isn’t content to stay at rest.

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A connected series of cold opens across all six episodes tell the story of a girl on a distant planet whose fate may have some far-reaching implications. (In what was arguably the series’ most thrilling sequence to date, the entire objective was getting as far away from the place as possible.) Yet, in execution, there’s a consideration of cost, sacrifice, and righteousness - not to mention the additional presence in this season of Bobbie Draper (Frankie Adams) - that elevates these Avasarala scenes beyond just simple decision room diversions. There’s not much left of Earth after a continued rock-based salvo continues to decimate the planet’s population. One of those happens to be Secretary General Chrisjen Avasarala, a character so entrenched in this world that, with the help of a performance from Shohreh Aghdashloo, gives thorny diplomatic entangling some dramatic heft. “The Expanse” Shane Mahood / © 2021 Amazon Content Services LLC

It’s consistent, but with an even more compressed timeframe for the show to work in, his strategizing and scheming can’t help but feel like a show focusing its attention away from its strengths.

When he’s not barking orders, he’s brooding.

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Momentary setbacks for Marco’s Free Navy do little to humble him or dissuade him from this future reality’s equivalent of going nuclear. His speechifying and dispensing of wisdom to his moody son, Filip (Jasai Chase-Owens), does make the show feel like it’s in an emotional holding pattern. Marco has been drawn from the start as a tyrant, cloaking himself in a specific kind of demagoguery. On the way there, much of the Season 6 runtime is stuck in a kind of middle ground between the two areas where the show excels. Here, aside from locking in a few of the circumstances around that confrontation, it’s not hard to see the trajectory on which things are heading. The show is no stranger to putting the pieces in place for a climactic showdown, but usually in a longer season those objectives have room to spread out and add to the overall momentum. Where “The Expanse” stalls in Season 6 is elsewhere. This group’s longstanding chemistry is “The Expanse” at its finest, with actors effortlessly juggling jargon with ease and making it make sense for the greater story unfolding beyond the walls of their ship. The always-reliable Amos (Wes Chatham) has managed to argue for trusted friend Clarissa Mao (Nadine Nicole) as a provisional crew member, despite her rocky past history with nearly everyone else on board. Holden (Steven Strait) and Naomi (Dominique Tipper) are back searching for the aforementioned agent of space chaos, Marco Inaros (Keon Alexander), for reasons beyond a possible end to an escalating war. It would be an overstatement, though, to say Season 6 doesn’t feel like a season of “The Expanse.” In one key way, the show picks right back up where it left off, with the surviving members of the Rocinante crew back working as a single unit again. There are four more novels’ worth of material left to consider, and they’re operating without a central cast member, written out at last season’s close. Shorter in length - six episodes as opposed to the 10, or even 13, of years past - the show’s then left to negotiate a tricky landing. For more than a year, it’s been the official line that this is the show’s last season on Prime Video. That constant ability to live on either side of the granular-to-galactic spectrum makes Season 6 of “The Expanse” a curious object. When the enigmatic force of the protomolecule gave way to a bloodthirsty win-at-all-costs revolutionary, “The Expanse” kept the ability to paint its drama on a massive, cosmic canvas. In the last few seasons, as the show has traded one all-encompassing threat for another, it’s never lost sight of the fact that all of these pieces of physical and psychological connective tissue are extremely vulnerable.

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